So disc one is all stereo versions of Jimi’s songs. That’s great if you’re into it. Personally I prefer listening in the original mono versions. How there isn’t anything inherently wrong with these versions either. It’s just one more way to enjoy Jimi Hendrix and to rediscover some great music in different way.
DISC TWO
Classic Jimi Hendrix mode and nothing you need to to review with more depth. The music speaks for itself and that is the shining point of any album.
DISK THREE
Some new and interesting. Experimental guitar track being my favorite and the most interesting, especially given the Hendrix learning I’ve been doing. Sounds like it’s possibly the uni vibe giving this song its unique flavor. The 69 vibe emulates this well.
A whole lot of different takes. Love it!
DISC FOUR
The live versions of past works is where it’s at here and the different styles. Foxy Lady is a heavy as it’s ever been.
CONCLUSION:
Jimi Hendrix is Jimi Hendrix and you can’t really spell it out better than that. Unlike the previous release that was mostly alternate takes, this blend’s reinvention for a modern era with the past, as well as some new goodies to discover. That’s a really fantastic deal for a remake of a 50 year old album.
So is this something to be thankful for? Hell yeah!
So I’ve mentioned before I’ve been working on this since 2022. I finally scored it and edited together a rough cut and I do mean rough. It needs about 10 more mins to make me happy with it, however I’m posting it anyways.
So originally the concept was about a clock in my 20s and the passage of time, especially as a writer. However, that never came to be because the tech I was using sucked and looked nothing like a film. However, Apple has caught up with really good tech and allowed me to create my student film that should have been done 17 years earlier. For those in the back, let me reiterate, I was 22 when I got that camera and I’ll be 40 in about 5 months. So yeah, a long ass time.
INTRODUCTION: So I’m only watching this because MJF is in it. It really doesn’t need a sequel, like most of Adam’s movies, because they all interchangeably the same. Man child with metal impairment tries to make people laugh. The only one that’s let laughing is normally Sandler himself with his large bags of money.
PLOT: Adam Sandler, desperate for relevancy, revives unneeded character for Netflix.
CHARACTERS: Fuck the returning cast. We’re going to look at the newbies.
Some of the newer rookie characters could been slightly better developed, but otherwise it’s not horrible. Becky lynch being the least interesting of the characters.
ACTING: Mostly excellent. MJF was excellent, even in such a small role. Becky Lynch acting is almost as good as her Jeopardy episode. lol
DIALOGUE: excellent.
HUMOR: Dated and cliche Adam Sandler stuff, but it works.
FX: really good for a comedy
MUSIC: excellent.
SUBTEXT: none.
CONCLUSION: A sequel no one needed, and no one asked for. However, unlike anything since his movie like Grown Ups has Adam Sandler really managed to recover from, in my mind, a failing career. However, this movie pretty much turns that around and gives Adam Sandler movie the old charm of the 90s original, but matures it in a new way. Even changing some old tropes on its head in the process. Really heartfelt and beautiful. Sandler in top form.
So I’ve mentioned before that I got my 1st guitar at 12 years old in 1998. It was a Christmas gift and fantastic! Interestingly enough, my parents accidentally bought me a left handed guitar, not a right handed one. Since Jimi Hendrix was the biggest reason for learning, that didn’t deter me from trying to learn.
I ended up selling that guitar when we moved to New Hampshire, which is interesting, because it was originally purchased in New Hampshire. The internet was still in its infancy and there was no good resources around to learn anyway. Not like I could have started a band, as I come across so few people in my age range that know how to play any instrument, never mind the typical metal quartet of Drummer, Bassist, Rhythm Guitarist/Lead Guitarist.
Fast forward to 2004, I bought a nice guitar off eBay for about $80 dollars shipped. It was pink and goth style, but it looked so killer. I got to play around with some things here and there, like a wash pedal for the first time. I got tired of just being able to emulate certain things I had seen Rock Stars do, but not really understanding what I was doing. I wanted to really be a musician and not a hack that could chug and play the odd one finger power chords.
So I sold that guitar and picked up a $60 dollar acoustic guitar at the pawn shop and said “I’m becoming a musician”. 2008 would be a year that would drastically change my life for the better.
From 22 to 25 I played that thing non stop. Morning, noon, night. I didn’t care, I spent at least one hour a day learning.
Then like most people I hit the learning plateau that stops progress. So I took a short break from playing, so I could access the problem and find a way back to getting better.
Back then, you didn’t have all the fancy YouTuber’s you had now. You had Justinguitar.com and Marty had only just Started his YT channel. Basically you’re alone on this journey and for me, I would not have had it any other way. I mean, did Jimi have it easy? No, so why should I? I may not become a rock god, but I would become a musician. The latter is the most important part.
So the reason I write this is because I got offered a job interview at guitar center to teach guitar in Portland. I was the only one who applied, but due to conflicts with scheduling of bus routes, could not make it. Let’s be honest, it was a welfare gig from the start as most people learn online.
Hell, when I first started at 12, finding anyone to teach you was a pain in the ass, prior to the internet. My dad managed a band, locally and I could have asked there, but I didn’t want someone to take time to teach me, when it could service them better to make music. Regardless, like I posted above, I preferred the harder route, like many successful guitarist before me had walked.
So you know I would have probably been fired from Guitar Center before Christmas even showed up, unless they needed one more sales man, which I doubt. This isn’t to knock Guitar Center, rather understand the current climate we’re in and that local teaching isn’t exactly appropriate nowadays, since, as I said everything is driven by the internet.
Let look at the whose who of online guitarist
Justin Sandercroe
Marty Swartz
Music is win
Brandon
Rick Beato
And about a million in between all of those. The smart idea would be to build a curriculum on those people and branching out into certification for people who have passed their prerequisites in order to accommodate for people who cannot have access to these people personally like when they first started there channels as the volume, no pun intended, is probably a logistical nightmare.
My style for videos is very concise, too concise I would argue, as my entire series would probably only have about 10 videos total.
However, there is a list of things I noticed over the years that I wish I had known when I started playing in the first place.
Anchor fingers is something I wish I had in the 90s. I might have become a decent player sooner. Look at Justinguitar for more one that. My favorite take away from his lessons.
Music Theory. I never liked the name, as I’m a science guy and was an idiot who was like “if there is evidence for it, then it’s a theory.” As it seemed like the name was used informally. Since the guitar is over a century old, it should be music pragmatism. However, some understanding would be helpful. It helps creativity and doesn’t dash it.
Finding a way to make analogies to the notes on your fretboard. This is a must in the beginning!
Knowing what notes make up a chord. It be simpler to make chords on the fly than rote remembering them all. Also Don’t get bogged down in BS like the caged system.
Tabs suck! If they work for you, all the power to ya. Learning by ear has been so much more beneficial to me than tabs ever have been. I only feel like my ear has recently become well developed and needs to be more attenuated . I have started, recently, learning Hendrix by ear and have made real progress. Something I would not have dared do in the early days of guitar playing.
That’s a small but very important list.
So, here is my structure for learning guitar since 2008.
Kirk Hammett
David Gilmore
Slash
Jimi Hendrix
The idea was to start at Metallica and learn what we could from Kirk. In this case, light solos, a decent pace to strive for and really good for developing your ear. I learned more Metallica accidentally than I ever did intentionally.
David Gilmore is the next logical step. Very long solos, use of whammy, learning when to slow down and when to speed up.
Slash is up next, as he is undoubtedly the hardest to play on this list, before Jimi. Dexterity and speed are very important here.
Once you learn from them, we would approach Jimi Hendrix, the man himself and this would be close to a Ph.D in music in my mind, for those learning on the outside of a musical theory course.
The point isn’t to be able to play all their songs perfectly, but rather develop the muscle memory to be able to play better. You can replace any guitarist on the list with your personal preference for players.
I’ll leave it here for now. Good luck with your own musical progress. Rock on!
INTRODUCTION: So about 14 years ago, a movie came out called Grindhouse. It was making fun of 70s/80s exploitation films of the past. Not a bad couple of flicks in Tarantino later, but far from his best. The best part of the whole double feature billing was the faux trailers during it. Thanksgiving was one of those trailers that really stood out besides the Rob Zombie one and the other from Shaun of the Dead director Edgar Wright. So, all these years later and this movie is a trailer no more. What to make of it?
PLOT: Thanksgiving is upon Plymouth Massachusetts and there is a killer on the lose. Oh noes!!!!!
CHARACTERS: Not bad, but a tad bit more development would have been nice.
ACTING: Very strong given the source material was a joke, throw away thing.
DIALOGUE: Excellent
STYLE: Excellent
FX: Very good
SUBTEXT: Zero
CONCLUSION: I normally hate everything Eli Roth has ever done. Hostel sucked, Cabin Fever sucked, everything but this trailer sucked. Incidentally, this movie, trite in certain ways though it may be, really worked. A few jump scares got me and Eli finally struck a nice balance between gore/fx and nuance. There only a couple small flaws, but otherwise this is a horror movie and I would love a sequel.
INTRODUCTION: So I love weird, especially something like this. Naturally, when I saw the trailer, I knew at some point I was going to watch and review this. I had a friend when I was younger and this is the type of shit we lived for, creating zany comics of stick figure men. A killer Santa would of had us both in theaters that very day. So I’m excited to have finally watch it.
PLOT: Santa found himself in the wrong house one Christmas Eve and becomes a reluctant hero.
CHARACTERS: Not very well developed, but who cares, Santa is killing mercs. Need I say more?
ACTING: Some really good performances, especially Beverly D’Angelo playing a bitch very well. John leguizamo is playing his best villain/gangster yet. The worse acting comes from Alex Hassell, whom emotes like a robot.
STYLE: Very beautiful. Nice use of color, crystal clear and clean.
DIALOGUE: Nothing cringe. Believable.
MUSIC: Forgettable.
CONCLUSION: For a movie that is Tim Allen’s Santa Clause mixed wit Die Hard, this really should not work. Plenty of fucked up Santa movies have been made. The 80s had Silent Night, Deadly Night, a Tales from the Crypt Episode and a movie called Christmas Evil, which I reviewed in 2019. The 90s didn’t have much in terms of bad Santa’s, other then Robo Santa from Futurama, but the 00’s did, with, you guessed it, Bad Santa. So a movie like this is relatively novel and it totally hits, even if it should not. I look forward to a sequel here.