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Kageoween: Halloween Kills Review (Mostly Spoiler free)

INTRODUCTION: Welcome back to another edition of Kageoween! This year, we’re taking a look at Halloween 2-2, aka Halloween Kills or Halloween 2020-21.

Is this the horror movie of our nightmares or another dashed potential at the film series?

PLOT: It’s technically November 1st, probably, but Halloween is still continuing to be a horrific nightmare, thanks to the escape of Michael Myers, only hours earlier.  

CHARACTERS: Mostly characters from the last outing or in Antony Michael Hall’s case, an updated actor to an old role. None of them are really better developed in this one, but they don’t really need to be.

STYLE: Very great visuals, especially when they go back to 1978 for a very special surprise, which will make you explode with joy as a fan.

ACTING: Very good! Not a single weak ass mutha’ fucker, even the extras brought their A game.

DIALOGUE: Clunky at moments, but otherwise fine. This movie would have been great even with dialogue.

FX: Retro, but good. Nothing is going to stand out to you.

MUSIC: It’s Halloween! It’s that same one fuckin’ song and the occasional eerie Myer’s screech/beat, but it is fuckin’ effective as all hell, so who cares?

SUBTEXT: None that I could discern at present.


The critic consensus isn’t good, but fuck them, am I right? This movie just proves that this Halloween is following typical three act structure and this is The Empire Strikes Back of Halloween movies. Oh sure, it has a few weak moments when it comes to potential recons, that don’t really make sense, given that Halloween (2018) picks up right after Michael is shot by Loomis in Halloween (1978) but they’re not committed enough to those for it to have really matter, at least not in this flick. Yes, it’s a movie devoid of anything but senseless killing and in that, we find brilliance, because this movie is really Michael’s voice, in that he speaks through his actions, leading up to what should be a amazing third act in Halloween Ends (2022) Ultimately, this movie didn’t need to be anything but carnage candy and it satisfies. Now only time will tell if the series will end on a high note. It has me already looking forward to next Halloween.

4 out of 5 stars.

Kageoween: Found Footage 3D in 2D Review.

INTRODUCTION: These movies, as of late, seem to be making a lier out of me. I know I said I hate these films, but Found Footage 3D is another exception to this rule. I don’t know why it has taken the better part of two decades to produce some quality found footage films, but they’re here now and it might be a good thing. At least this one was pretty epic, besides HellHouse LLC trilogy.

SYNOPSIS: Group of people, go off into the woods, like every damn movie, albeit this one with some meta aspects to it, making it “different”.

CHARACTERS: Well done! Granted, none are overly remarkable, but they draw you in and keep you glued into the edge of you seat. I found myself caring at the end, which is a rarity for me.

ACTING: Very, very good! None are well known that I am aware of and all of them put their best foot forward. That, or my standards are getting lower the older I get.

KILLS: Fuckin’ wicked! Oh good, they’re good stuff. Seriously, the ending is amazing!

DIALOGUE: Fantastic! I love the Evil Dead homage along with a great line, pointing out how these films tend to suck. Brilliant!

PACING: Fantastic! Moves at a great pace and keeps you enthralled until the end.

SUBTEXT: none of note. It’s not really a thinker, but it doesn’t need to be. You really just enjoy it and a popcorn flick is always alright.

This one took a tired old cliché and didn’t turn it on its head, but made it tolerable and enjoyable. Found Footage 3D is how these films should have been produced years ago and it is nice to see that people are taking the genre as more than just a cash grab as it has been for years and they’re making haters of the genre like myself, eat crow for the fact that they can be fun, even with an overblown formula. This one is well worth the check out.

4 out of 5.

Kageoween: I Chuckie, a review of the 2019 remake.

INTRODUCTION: I was excited to see that Child’s Play was getting the reboot treatment. I was never the biggest fan of the series, but up to three was good. There is an argument to be made for Bride of Chucky but I was pretty much out at that. The concept was kind of hoakie, but it worked in its time frame, remember, it came out in 1988 and every movie had characters with weird backstories. This one removes the weird voodoo in exchange for a more realistic take. Was it better off?

SYNOPSIS: A company like Apple produces an Amazon like Alexa, but in the form of a doll. The doll goes rouge due to a disgruntled employee having shut off the safety precautions. All hell breaks loose.

CHARACTERS: Pretty shallow to say the least. They could have developed them more, or at least the main characters. Overall, very weak, but so wasn’t the original Child’s Play.

ACTING: Fantastic! Not a weak actor among them all. They all did superb.

DIALOGUE: Not a single bit of cringe! It was excellent and at times very comical.

KILLS: Weak and not very inventive. We have seen most of these things before and it was tame.

PACING:It tried to be an old school story driven movie, but the pacing wasn’t right for it. It didn’t build tension correctly and that is a shame, because I would have loved more build and tension.

SUBTEXT: If we ignore the overt text that is the dangers of AI, Child’s Play at its core is really about being involved in your child’s life more and not allowing negative things to influence them, as Chuckie was. Everything he learns, he picks up from others and I think that is a worthwhile takeaway.

The story could have been better and Andy’s hearing aid could have been a much bigger plot point. It was a missed opportunity to make him seem crazy, so by the end, he would have been redeemed in a most stellar fashion. The modernization was much needed and a fantastic break away from the old. While not an amazing film, a sequel could be beneficial and wouldn’t be minded. I loved the Isaac Asimov homage of the three rules that cannot be broken and there are a few other reference, like RoboCop that are within. Even with the comedy, this movie just could not get me to like it. Objectively speaking, not bad, just slightly flawed. Subjectively speaking, I really hope if they do make another they expound on this one with more developed characters, better kills, a better story and more tension.


Kageoween: I’m Not a Serial Killer by Dan Wells

     What you get when you cross Goosebumps with Dexter? You get Dan Well’s I’m Not a Serial Killer.

     You may have heard of this book, a movie was made back in 2016, staring Christopher Lloyd. It was an independent film and currently watchable on Youtube for 2.99 if you want to give it a go. I haven’t seen it yet and probably won’t, because of this book.

     For better or worse, here we go…

     A young man is haunted and tormented by his thoughts of being a serial killer, his parents are split up, his sister is living her life, he is a pariah, he has one friend, he is obsessed with serial killers and he is friends with a kindly old couple. Everything is mostly normal in John Wayne Cleaver’s world, minus the fact that a serial killer is on the loose!

     The characters are a lot shallower than an actual psychopath, let me just say that.

     John Cleaver, because I refuse to say his full banal name, is the most developed character of them all, but still a shallow puddle of a character. I could identify with some of his personality, because I enjoyed horror growing up, I wrote horror growing up and also read a lot about serial killers myself. I also was a fan of Marilyn Manson, among other out there musicians, I loved the Undertaker as a wrestler, I had toy caskets and I absolutely loved villains like Freddy Kruger, Michael Myers, Jason Vorhees, Darth Vader, The Emperor, Lex Luthor and also Hannibal Lector, the reason I got into psychology to begin with, as some of my personal favorites. My parents never ran a funeral home, though. Yes, the idea does tend to occur to you, with all the love for the macabre that one isn’t quite right in the head and you might be very strange human indeed. I mean, who watches the opening scene to Children of The Corn and wants to see more? I did, but that’s beside the point. Regardless, John Cleaver is more than normal, he just obsesses over small things like being a killer because he is an INFJ or possibly an autistic, not because he is a killer, because a serial killer wouldn’t care if he or she was one. You could argue he is an unreliable narrator, I mean, it is 2017 America within the book and the damn town has payphones. Regardless, if he is supposed to be interesting, he could struggle a bit more with right and wrong and the plight of possibility, this doesn’t even scratch the surface. I know because I’ve created stories like this, which has infinity more depth than Dan Wells has created.

     The Mom is the second best developed character who apparently is an empath, albeit, expressed piss poorly. She cares about her kids but cannot understand the weirdness with John. She causes a lot of fights and we get to understand some of the rest from John’s exposition. How much of that is trustful when he is running around saying he is a serial killer, is beyond me, though.

     That is pretty much it for developed characters. Other barley worthwhile to note characters are the aunt, sister, his friend who uses 90’s slang in 2017, his love interest, The obvious Serial Killer, who is obvious and his elderly neighbors. Oh yeah, and his shitty psychologist that diagnosis John wrong and doesn’t seem like a real psychologist.

     Barebones, wonky and uneven throughout the whole book. Most the book is built developing his character and not well, over building suspense Dan really shows a talent for not knowing what he is doing here. He describes no one. I first thought, maybe that is showing he is devoid of a personal bent, but nope, he can describe hair and clothes piss poorly and doesn’t care to develop other characters through showing. Clearly Dan isn’t a people person and that is fine, but could you at least be inductive enough to realize that and make up for it? I used to write a similar style, but mine was because I knew that the audience, was most likely going to come up with their own version anyways, so let them. I do my best not to do that now a days and I think Dan should learn to as well, since we don’t need group of people, looking like they walked out of Pink Floyd’s The Wall.

     Never mind the fact it has awkward segways, no tension until the end, right up to a piss poor “climax”

     There isn’t any in this book outside of what it is like to live with autism, since John, regardless of his semi typical nature, seems to have a lot of the hallmarks of an autistic.

     This book seems like it was written in the 1990’s and was shelved or shopped around until it was published in 2010, when Dan finally found a blind editor, or was able to bypass one, and push this book through. The fact is, it is highly dated and this book doesn’t work in a post columbine world. This kid could and would have been red flagged anytime pass 1999. Just look at what happened to Parkland, a weird kid shot up his school, but he was red flagged innumerable times, the FBI was just too inept to take the kids threat seriously, yet Dan’s character just waltzes around, sending up “signals”, whilst everyone around acts as if their fucks have taken the day off. Factor in the aspect of it being derivative of other, better, more successful works and it makes this book seem even weaker in comparison.

     Still, the best thing I could say about this is that it reminded me of all those, in some cases bad, young adult books I used to read back in the day, like Goosebumps or Fear Street and for that, I will give it an extra star, but the rest of it isn’t worth the time and effort.

     If you want a nostalgia pop, this is right for you, no matter how badly. If you want a good book, skip this!

     2 ½ out of 5 stars

Kageoween: Dracula Book Review


     Bram’s Stoker’s magnum opus, Dracula is 121 years old this year and has been read, re-read and passed on from generation to generation as the granddaddy of all horror works. It has been ripped off, in the 1920’s, with Nosferatu. Bram himself, took elements of Carmilla and incorporated it into his work and a reference to that is included in the deleted chapter of Dracula, the short story called Dracula’s Guest. It has been made into umpteen dozen flicks, starting with Dracula in 1930’s, the Hammer films of the 1970’s and a remake from 1992 by Francis Ford Coppola and many more into the 2000’s. It’s safe to say this Iconic bad-ass won’t be going away anytime soon and he will continue to inspire for generations to come.

     How does the book hold up in our modern world? Let’s find out!


     October 11thDracula is an espitsoly work, meaning it is told through letters, journals and other similar tropes. You have 4 main characters, plus two villains. The protagonist are Lucy Westerna, Mina Harker, Johnathan Harker, Dr. Van Helsing and Arthur. The antagonist are Dracula and his servant Renfeild.

     Our story opens with Johnathan Harker siting in a restaurant, enjoying some chicken and paprika dish, which he refers to as thirsty, which, is already brilliant before we’re even out the gate. John is a solicitor for Dracula, come to close a deal so the count can move to London and enjoy the beauty of 18th century England. On his journey, Harker continually runs into fantastic use of foreboding and tension building. Harker, a subtle atheist, which we soon find out, doesn’t quite understand the superstition of the town’s people, who give him multiple gifts for protection, on his way to Count Dracula’s castle. Garlic, a crucifix and typical anti-vampire devices. Memo-how the hell are the towns people so hip to fighting off vampires, but Dracula, in his weakened state, still lives to instill fear in the village?

     Once he has made his way to Dracula’s castle, we’re introduced to some, well, peculiar aspects of the count’s life. The count never seems to eat, he sleeps during the day, keep Johnathan up all night with daring tales of battles long past and he has no servants. He does have three vampress’ in his basement, like a boss, who are easily aroused by young blood and he has an exquisite library.

     During his stay at Dracula’s castle, Harker starts to realize he is a prisoner and discovers strange things about the count, like his despising of Harker looking into a mirror, claiming disgust at such vanity, clearly a brilliant foreshadow, but also a dig at the 1800’s culture of beauty above all.

     One night, Johnathan is awoken by the vampires coming towards him, when they’re quickly shut down by the count, who has other plans for Harker and tosses them a fun size snack, or an infant, however you want to see it. Memo-why do reviewers never point out the interesting male homosexual subtext to this, but imply it all throughout Carmilla?

     We leave the castle and start to be introduced to Lucy and Mina, both of whom are pollyannaish as fuck. That in and of itself, is an understatement, because there are infants with better street smarts, but I digress. Reminder- we’re in the 1800’s, not 2018, so it works.

     At first life is normal for both Mina and Lucy, but things start to get weirder and weirder after a boat mysteriously makes it to shore with everyone dead, which is clearly a brilliant reference to The Lost World: Jurassic Park… Note-apparently this book predates that movie, interesting, must remember this.

     Lucy is the first to be turned into a vampire and is subsequently killed by Dr. Van Helsing, a brilliant mind, who is clearly one of the best Ahab’s ever put into lit.

     It doesn’t take long for the Scooby gang and Giles I mean, our protagonist to realize that Dracula is behind all this and the build up to the climax is truly fantastic suspense the likes few could emulate.


     It doesn’t take much to note that Bram is a very social human being. He has a nack for people, which is unusual for Gothic horror, given one of its traits is usually emphasis on landscapes and buildings.  He has taken great care to elucidate on each of the individuals quirks, mannerisms, demeanor, educational history and more, through brilliant prose. Stoker wasn’t fucking around here and it couldn’t be shown any better.

     Each character is truly different in how they engage each other and how they come to their conclusions throughout this gem of a novel.

     My two personal favorite characters are Dracula and Van Helsing and love how well they’re written and brought to life. Van Helsing is clearly the old guard, his speech is archaic as opposed to the younger characters in the book. He is wisen, he is experienced, he has seen all the offerings life has to give and has lived to tell the tale. Dracula is similar in this regard, but they’re still vastly different characters. Almost like Michael Myers and Dr. Loomis. The best dialogue easily belong to these two. Although, I appreciate Renfeild, for the seemingly satirical take on Psychology at the time that he represents and at the same time how he is a subtle dig on people following trends before growing bored of them as a form of insanity, vs chasing your passions, regardless of what people think.

     The only really bad thing is in regards to character arcs and how easily some characters switch gears in their beliefs of wampires. Some need little convincing, or it seemed that way and the only real growth by the end is Mina, in my mind.

     Despite that small bit of criticism, everything else is on point.


     Wonderful, beautifully written and very picturesque. It is written in a more modern prose than most novels of its age and this was clearly intentional from the getgo. It also helps us with understanding characters, since Van Helsing is older and speaks in a way more reminiscent of the style of the times. Bram doesn’t just stop there, though, he adds a bunch of fun Easter eggs through out, you need to find them, but they’re there and fun to see the references to old stories and science.

     Bram likes to refer to Dracula unspecificly at times as Him and He and It. The most peculiar part about it, is that it would otherwise be grammatically incorrect, if not for character building prior to its use. Only one other mention gets this treatment that is God himself, because it is grammatically correct. This suggest that it was intentionally done and subtly builds Dracula up to being a God himself, but in the reserve, almost like Dracula is a different take on Lucifer.

     It wouldn’t be an understatement to refer to him as the Shakespeare of the Gothic horror novel.



     In 121 years, I am sure a lot has been found. Some people see it as an analogy for immigration, for sexuality and the social mores at the time whilst others see it as just an adventure book.

     A lot of critics of the day didn’t quite appreciate the modernity of the story, especially featuring typewriters, among other items. One could argue that the subtext of the younger generation vs the older generations are too hard to ignore, especially when you factor in the detraction for being modern and I wouldn’t refute that idea, it is a valid take away.

     I personally think, the immigration aspect, is only a fraction of the take away that Bram most likely, subconsciously meant.

     One of Bram’s earlier works was about a young immigrant, who works at a theater and is married to a faithful wife, when they immigrate to London so the man can get a better job. He becomes paranoid of his wife’s infidelity, which would have been a bigger no no then, then it ever was.  It ends with him killing his wife.

     Now, what could that have to do with Dracula? Well, some of that book is autobiographical. Bram, who worked at a theater, immigrated with his wife to London, seeking better work. The only difference is his wife, as far as we know, wasn’t unfaithful, nor did Bram kill his wife. Given this aspect, it is tough to ignore that Dracula is really a fish out of water story, with Dracula as analogous to Bram himself and representative of his fears of leaving his home country, moving to London and being an outsider. Much like Bram showcased his knowledge of multiple topics through prose, such as chemistry, philosophy, science and psychology, so too, did Dracula, who wanted to fit in. Bram, clearly being sociable, exhibited a desire to assimilate to the culture. It should also be noted that all of those who didn’t quite appreciate the book, happen to be hugely Anti-social, the most notable of which was H.P. Lovecraft, scoffing about the book being great because it had an editor. Lovecraft’s criticism is invalidated when you realize he was anti-social, but also, racist as hell. Clearly he couldn’t relate to Bram and as such, he didn’t enjoy the novel, which is a shame and quite the contradiction for an anti-social human. I also believe Lovecraft was jealous, because he couldn’t write half as well as Bram could and it was noticeable in his thoughts on the book.

     Regardless, I believe immigration is the right take away from this, albeit, in a different context than most suppose it to be.


     Bram Stoker is one of the best writers to have ever lived. Despite minuite flaws, such as lack of character arc, some literary solipsism, since you have to be really well read to appreciate this deeper, I can’t help but see it as the near perfect novel it is. I took three pages of notes and still feel this review to be too short, as there is so much more that can still be said on this book after 121 years. It stood the test of time because it really is the best of the genre and no one has come close, not even Stephen King himself, to beating Bram as best horror writer ever.

     This is one of the few books that you can finish and desire to read again, right away. It is more than a novel, it is an experience. Older reviews from the time, point out its gory nature, but it isn’t there. They imagined it because Bram was a genius in how he wrote. Much like Halloween, the 1978 original, you only think it was a blood bath, the reality is so more was left to be imagined.

     The only suitable score for this book is

10 stars out of 5.

Minor corrections to the text, 11th OCT 2018 9:18 pm

Kageoween: Carmilla Book Review

     Carmilla is one of the earliest vampire stories and the inspiration behind Bram Stoker’s Dracula, apparently. Besides this, the only other known source for vampire mythos prior to Dracula is Varney the Vampire, a penny dreadful, which was sold on the streets for a penny back in the 1800’s.

     Much has been said about this novel, mostly the balls on J. Sheridan LeFanu, for adding Sappho eroticism in a time frame when such would have been on par with child molesting today.

     So, what does it come off as in 2018 and is it really any good? The answer, probably won’t surprise you!

     A young woman lives with a family when strange occurrences start to, well, occur, leading to a less than suspenseful build up to the climax of wow, vampire.

     The prose has moments of sheer beauty throughout its page. If written in a modern voice, I think the story would fail even more. Part of the charm is that 1800’s style narration with beautiful prose in some places and misplaced telling aspects that could of be written better.

     The characters are mostly shallow, but still enough to get an idea for their personalities. No one character really sticks out in my mind, except for the father of the young woman who is friends with the vampress title character. He is a weird scientist of sorts and I don’t mean a literal scientist, I mean, he looks for the simplest explanation of a situation, but in the same breathe is glad that it wasn’t witches. I like this weird, juxtaposition between science and superstition. The original inspiration for Van Helsing is also present, but he isn’t as developed as he is in Dracula, but you can see where the inspiration came from, but it was less homage and more a “Hold my beer” moment, as Bram Stoker showcased he could do it better.

     Unlike other reviewers, most of whom are also male, I don’t find lesbianism to be a subtext of this book. I think it is inferred by men with an inkling of homoeroticism for other men, who have projected their desires on two characters.

     I know Vampires are known for their sensual nature, but they’re predators mostly, they’re also dead, thus they really don’t have a sexuality at all. I also find it weird that these same reviewers never spot male homosexual subtext in Dracula or other novels about vampires. Interview with the Vampire comes to mind with blatant male homoerotism, of which no one ever points out or holds up in esteem. The homosexuality is especially noticeable in the movie of Interview with the Vampire, where the sexual ambiguity between Brad Pitt and Tom Cruise is so thick, you could cut the fuckin thing with a knife. Just like this book, 90’s male homosexuality would have been considered loathsome and horrible, but no praise for pushing the envelope there.

     This book is really short and sparse of form, while giving some of the future tropes for the vampire mythos that we either all know and love or find to be horrible clichés. I wouldn’t say Bram Stoker was so much inspired by it, as being a flat out plagiarist on quite a bit, while extrapolating with better fleshed out characters, subtext and themes. Ironically, Bram himself would later be plagiarized with Nosferatu, a lawsuit ensued which he would win, even though he really had no grounds, notwithstanding his own plagiarism. Still, the story is good, the prose is decent and while the lesbian subtext is inferred by Horny men, the book still has a lot going for it and is well worth picking up.

3 out of 5 stars.