Tag Archives: Netflix

Writing

KageDay ‘98: Football Season 2025-2026

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It’s that time of year again. Days are going to start getting shorter, half naked woman cover up and the heat dwindles to a chill. Which means only one thing is relevant now. football season is here!!!!

Welcome to KageDay’98, cleverly named for the famous PlayStation one game, obviously! /sarcasm

Here’s my picks for the upcoming season and as always remember, I do this for myself to improve, there is NO such thing as an expert in sports betting, you place a bet on any of these, you do so of your own volition and I bare no culpability in your bad decisions.

Below, not necessarily in chronological order, is most the weeks of the season. It be nice to see Detroit hit the playoffs at min. Odds are SF and KC will be there too. Probably even the ravens again like last season. NE Pats are probably doomed until I’m close to my 50s. I love the Panthers and would love to see them hit the bowl and win it this time, but that might not be this season. These are all preliminary and card subject to change based on injuries. I picked a majority of teams are like likely to have the best odds going in and a few underdog matches as well. I predict that SF will probably be on the rise and end up humbled in one of their games by Nov-Dec season, happens every season to one of their games best teams.

Superbowl is open to most, but would not be shocked to see the chiefs back in the picture. Who there opposition is? Well, time will tell. Judging by the pic, if the people were right about the sports writers and NFL being written like the WWE, it predicted the SF 49ers. So…

Stay metal 🤘

(Will edit here in Jan to see how well I did. )

Writing

Fashionably Late Movie Reviews: Rambo: Last Blood (2019) review

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INTRODUCTION: So a fun fact. When I was born, my father actually considered naming me Rambo, after this movie. Interestingly enough, I wouldn’t see any of them until I was in my early 20’s, in preparation for Rambo 4, in 2008 ish. While I didn’t review Rambo 4 back then, I decided to give this one a review.

PLOT: an aging baby boomer actor, needs a comeback, er, I mean, John Rambo, retired and living on a ranch near Mexico, finds himself up against Mexican Drug Cartels, after losing someone close to him.

CHARACTERS: Glib as fuck villains, but the depth between John Rambo and a young woman whom isn’t his daughter, but treats in a similar fashion, is there and a great part to the set up.

DIALOGUE: Very good, including a great part right before the finale. It’s as good as as the “When you’re pushed, killing is as easy as breathing” from part 4.

VISUALS: Stunning.

FX: Excellent

MUSIC: Works, but not necessarily Iconic. In fact, some of it reminds me of the Terminator films.

SUBTEXT: None

CONCLUSION: The original Rambo is an iconic and poignant movie about a young Vietnam veteran that had trouble reintegrating into society, post war and spoke to the ills of the US government to do better for their men and woman on the front lines. It then delved into a mediocre action series that was the butt of jokes. If you ever played GTA:Vice City you’ll fondly recall the soundbit of Rockstar games mocking Rambo “your wife needs you.” Says his commander. He replies with “I’m not married” and then the officer says “You are now, to America!” Which I believe was making fun of part 3. Among other mockery of this character. Which is sad, given how good part one is. However, what could have been another boring addition to a needed action series like part 4, they bring back John’s PTSD affliction, as he pops his medicine out the bottle. It’s good they recon’d this. Making Rambo very sympathetic to the audience, that he isn’t a one dimensional action character. Mixing with the chemistry Sly had with the actress that is a sort of daughter, it hits you and makes you seeing Rambo go, well, Rambo on everyone’s sorry ass worth every second, especially the last kill. Worth every second!

5 out of 5 stars.

Writing

The Rise and Fall of Vince McMahon, a review of Netflix’s Mr. McMahon.

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INTRODUCTIONS: Let’s get two things out of the way before I begin this review. First, I had a micro investment in WWE in 2014, having bought stock. About 25 shares total. I sold those stocks in November the same year, due to ineptitude of the industry. Second, My entire family, going even back to my late grandfather, all loathe McMahon with a passion, so we’re highly biased. I have no doubt that all the allegations were true and hopefully him and everyone involved get what they deserve in court. That said, this documentary isn’t without flaws from the beginning.

WRITING: Fine

VISUALS: Fine. It’s a documentary, not much to deal with.

EDITING: Swamy and misleading.

CONTENT: Worthless. It’s billed as being about Vince, but is an an unstructured mess that deals more with wrestling in general than the subject matter.

CONCLUSION: This thing is plagued with Swamy Micheal Moore style editing from the beginning. This automatically brings into question its journalistic integrity. They quote-mine and edit things out of context to make certain people or peoples look worse than it is. Bill Simmons is no better than McMahon is with the way he edited this documentary to favor his anti McMahon bias. Which, while I share his bias, still think it’s a disingenuous thing to do. Mind you, this is the problems with this “series” from episode one and I’m only 20 mins in and it’s insufferable.

This doesn’t really know what it wants to be. It wants to be journalism, but fails. it wants to be about its subject matter, but fails. it wants to be about wrestling, but fails. It stacks the doc with ass kissing McMahon sell outs, whilst being a hit piece at the same time. Billy Simmons is proven incompetent as a director and we’re no better off for see this documentary. Maybe in the future, someone could do a legit piece and have it make sense. Perhaps Netflix would have been smarter to have sold this to McMahon and let him destroy it.

2 out of 5 stars

Writing

That 90’s Show

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INTRODUCTION: My like the predecessors, I wasn’t and still am not the core audience for this show. Both shows lean heavily on nostalgia for a decade that you were born into or grew up in. Being born in 1986 undoubtedly meant that I would end up having to watch That 70s Show at some point, as my parents grew up in the 1970s. Still, in spite of the weird 70s motif, it had a certain charm and was just pretty good. Red Forman and Hyde being the two best of the original cast. It gave that 80s show a tall order to live up to and it failed. Would this show be equally as weak?

CHARACTERS: Well you have a new cast and they obviously have the onus of living up to yesteryears characters. The original characters returns help make up for it. That said, these kids are not millennials. They lack everything that the reality of these people are. I mean, they have a “cool” kid hanging out with dorks. That’s not how that worked. Still, they keep the basic law breaking aspects of their boomer predecessors that’s the closest to a reality for being a millennial for these characters.

ACTING: Not bad. better that 80s show, not as strong as the original show.

SET: The original sets are spot on to the originals. too bad the attention to detail ends there as the brands are wrong.

FX: Still kinda dated to 90s tv sitcoms, but that’s kinda the point.

CONCLUSION: I’m not going to be shocked if this show meets the same fate as that 80s show. Ironically, this would have worked better as a show if they had turned it into a revamp of That 80s Show and ditched the 90s bullshit. For the right audience and by that I mean the everyday overly nostalgic millennials that miss that peice of shit decade. For those that never experienced the 90s, you’ll walk away with appreciation for being born long after that decade. for me, well the only reason to keep watching this is Red Forman.

3 stars out of 5

Writing

Beverly Hills Cop IV: Axel F

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INTRODUCTION: So I’ve been waiting on this movie since the 90s. I was born two years after the first came out and my late grandmother was, uh, nieve enough to let me watch an R rated movie. You have to remember she grew up when there was no movie ratings as she was born in 1944. Anyways, she knew Ione of the many jobs I would have loved to grown up to have had was being a detective and that’s why she let me watch it. This would lead to me seeing two and three. While I may not have become a detective, I will have found memories of my grandmother getting mad at me and never forgiving herself, for letting me watch this, as I hooped into her car and said “let’s get the hell out of here.” In reference to Beverly Hills Cop one.

PLOT: Axel fucks up his way back to Beverly Hills seems about right.

CHARACTERS: excellent. Love the rookies and the verterns

ACTING: fantastic! Eddie doesn’t miss a beat!

DIALOGUE:fine. Nothing wrong.

STYLE: love it

FX: excellent. Mix of cg and practical

SUBTEXT:none

CONCLUSION: I’ve been waiting 30 years for this movie and it didn’t disappoint. Everything from the Easter eggs to the original actors. It’s perfect.

5 out of 5 stars

kageoween, Reviews, Writing

Kageoween: The Haunting of Bly Manor

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INTRODUCTION: So, I’ve just finished The Haunting of Bly Manor, a sequel season, to an anthology series of haunted houses, all of which, are apparently mansions. Presumably because the ghost of the mansions are subtext for white guilt because Ole Mike here is more successful than you and feels bad about it. I digress though. This is an adaptation of an old gothic horror novella from 1898, one of which I will now make sure to read. Is this “show” worth it though?

STORY/PLOT: An au pair takes a job at a haunted mansion, how original of Netflix, uh? They really pushed the boundaries of a narrative here.

CHARACTERS: Not bad for horror, but could of been better overall. I know he gets praised for developing characters in horror better than horror normally does, but I feel like his development is equal to that of a prepubescent child with hard nipples from the winter chill as opposed to a fully developed adult woman, but for horror, I’ll take whatever I can get. It isn’t always easy to develop characters well anyways.

Once again I find myself dismayed at the LGBTQ representation being the equal to that of a fratboy having fantasies. I mean, I haven’t hand a chance to know every lesbian in my lifetime, but I do know drunken benders that lead to lesbianism, do not seem to be the major narrative in a lot of gay love stories. It’s more dishearten, given he has his wife play another Lesbian character, whom identifies as Bi, so Mike should know better, but atlas, I will have to put up with shitty characters that don’t even have build to them being lesbians, it’s just trust onto us. I mean, he is only 8 years old than I, but is lesbianism really a shock and awe moment? Kind of behind the 8 ball on this one.

ACTING: Mostly shit, except for two actors. The cook and the guy who played the farther in the The Haunting of Hill House.

STYLE/VISUALS: Kind of reminiscent of early 2000’s dramas for me, like The Practice or Boston Legal. Since this story is based in the 1980’s, it works, but still nothing exciting.

WRITING: Very good.

DIALOUGE: I get it’s England, but a lot of it is fuckin’ cringe.

TENSION: Quite splendid for this show. Sadly it was a big let down to nothing of worth at the end. Once again he added in a scare that I didn’t expect and I’m not afraid to admit it. I lothe the heavy reliance on jump scares though.

MUSIC: Forgettable at best. This show’s tension at it’s highest when there isn’t a score anyways, so.

SUBTEXT: Not a lot, but for me it seems to be about legacies and the impression one makes on others, family and friends being the most important, so that one isn’t forgotten about.

CONCLUSION: While the mid-season twist were perfectly predictable, I like the first 5 episodes even better than I the original. Sadly it wears out its welcome by episode 8 and 9 seems like a tedious epilogue that wasn’t needed. My thoughts are the complete opposite with The Haunting of Hill House, which was boring up until the end. I was afraid this was going to go Deus Ex Machina, but that would of been welcome to the let down of an ending we did get. Episode 8 was so out of place, it really seemed tacked on, when it could of been at the beginning of the season and while a diversion from the narrative, it was somewhat integral to see where the story was heading. It’s just one more let down though, but I’ve wasted my time on worse.

3 out of 5 stars.

EDIT: ADDED WRITING AND DIALOUGE BLOCKS. 18 OCT 2020 AT 2:15 PM