Tag Archives: Stephen king

Kageoween: Terrifier 2

INTRODUCTION: I’m only doing the one review this year for Kageoween, because there isn’t much out there for horror at the moment that really entices me, I saw IT part 2 finally, it’s basically the same movie as part one and sucked. I saw a few other films, none that great. I think next year will have more for me to bother with. So Even though I never seen the first one, I’m going to review Terrifer 2.

PLOT: Stephen Kings IT meets Captain Spaulings mute brother.

CHARACTERS: Kinda weak. They exist as mere fodder for Art the clown.

ACTING: pretty solid

DIALOGUE: soild.

FX: Very good

SUBTEXT: Tutti Fuckin Frutti is still relevant 20 years after the fact, apparently.

CONCLUSION: This movie is more unique than I originally thought. Originally I didn’t bother checking out one or two for years because the overall premise seemed cliched. The kills are a mix between brutal and classic horror, the film is well shot and it has a bunch of classic homages to 80s horror films. However, while interesting the movie is still flawed, not really having a plot at all weakens the movie, even if the horror parts are similar to other iconic slashers of the past 40 years, like Freddy and Jason, at least they had some story. It’s mostly just gruesome imagery for shock value and little more, but still, that’s kinda its charm as well.

3 out the 5 stars

The Vengeful Virgin Book Review

INTRODUCTION: When I was a child, I wanted to grow up to be a police officer, so I could make detective. Yes, I would of loved to have been the real life equal of Batman. I learned a lot about the job through watching, reading or playing games like Clue. Naturally, some of what intrigued me is Noir or Noiresque novels. Normally I preferred the ones with detectives. Hell, my first novel, novella, is a noiresque book, so it isn’t like I could pass over such, even if I wanted to. This one doesn’t have a detective, sadly. That said, I am still going to review it.

PLOT: A TV Repairman gets hired to help rig up TV’s and an intercom system, in an ailing man’s apartment, when he meets the man’s 18 year old step daughter and bad shit follows.

CHARACTERS: It’s an old Noir novel. You’re not getting deep writing with these characters. You’re barley given any description when it comes to what they look like, a lot like Stephen King characters. They’re not quite one dimensional, but they do have a one track mind, making them rather dull.

PROSE: It works for this type of novel. Not award winning stuff, but you don’t come to Gil Brewer for Nobokov, you come for a plot driven story.

DIALOGUE: Clunky and weird at times, but it was written in 1958, so maybe we shouldn’t be too harsh on it.

SUBTEXT: None, again, it’s the Mcdonald’s of writing. Although, there are moments, you will read between the lines, like myself thinking the main male character could be African American, given he keeps referring to the whiteness of his femme fatale. Sure, he could be white, and just smitten with an auburn hair girls contrast with her skin, but their are other elements in the dialogue that make you think he is black. It never states his age, just that it’s alluded to that he is seemingly older, but he doesn’t want them seen together, even though she is perfectly legal and I do not think it really has to do with their devious plans, as the character claims. Personal opinion, I think it was an, at the time, illegal interracial hook up, on top of a Romeo and Juliet romance. Remember this was written to be shocking in the 1950’s, so it is possible.

CONCLUSION: If you go into this book with the right frame of mind, you will enjoy it for what it is, scholky entertainment. If you are looking for more from your novels, do not bother. I enjoyed reading this, albeit, I prefer detectives and not a book about two people attempting to be criminals, but it isn’t bad. It has a lot of classic Noir tropes and while this isn’t the first one I have read, it is far from my last.

3 out of 5 stars.

Castle Rock Series Review

Introduction

Today we’re going to look at the JJ Abrams produced Castle Rock for HULU. Castle Rock is named after a town in a lot of Stephen King novels. So is Castle Rock worthy of being part of Stephen King’s world? We will find out.

Plot

The plot focuses around a young black man, who is being raised by white parents in Castle Rock, Maine. One day he goes missing and is later found on the lake without hypothermia or any frostbite, he might even be the potential killer of his adopted father. In typical Stephen King fashion, none of this is truly as it seems and ultimately it leads to a weird ending.

Characters/Acting

The best developed character happens to be the main lead, who is super fantastic. The rest of the cast is pretty decent. Only two characters really seem to stand out besides the main character, those are the adoptive mother and the weird mute prisoner.

Style

Style is decent, doesn’t really strayed too much from typical television fare at the moment, but otherwise, it is fine.

Dialogue

Very good, nothing seems awkward and everything seems genuine, even in a story about the supernatural.

Conclusion

Castle Rock is not your typical scary show, if anything it is more reminiscent of the X-Files in the 90s. Sadly it’s not as interesting or engaging as the X-Files was, but it has potential here and there. If you are looking for straight up scary, this is not it. This is tension building up until the final moments which you may find intriguing. I personally do not like any of this whatsoever. Occasionally there is an interesting aspect but it’s only cringe, never really scary. I love all the Easter eggs to Stephen King stories but ultimately none of that is really worthwhile if you have to sit through a show this painful to watch. I find that this show is always pretty bland when it could be a lot more intriguing and I don’t see myself watching any more seasons. I think you will feel the same way too. Should you find yourself wanting to watch this, feel free to, but otherwise I give it a :

3 out of 5 stars

Summer of 84

This is my first time blogging from a tablet so bear with me, because my laptop is on it’s last legs.

INTRODUCTION

I just got finished watching Summer of 84 on Shudder and have to say that it is quite marvelous. Take Stranger things, combine it one fantastic story and this is what you come up with.

PLOT

Typical 80’s and 90’s plot of bored kids in the Summer stumbling onto an adventure, in this case, is my neighbor a murderer.

CHARACTERS

Very relatable, all different, all rememberable and more importantly we care about them, which is rare in a movie.

STYLE

Retro piece usually border on parody or inaccurate. This one is absolutely spot on. You can tell they took care to ensure accuracy over parody.

ACTING

Superb. They all seem like friends from the get know about and even though these characters are of a different generation from me, they seem so genuine that anyone could relate to them.

CONCLUSION

There is nothing original here, but that isn’t the point of this movie. It was a really great throwback that, had it existed then, would have been made back in the 1980s and remembered fondly with the likes of Fright Night, The Goonies, Stand by Me, IT or any other retro flicks. This hits on all the right notes and actually decided to be a great movie as well. Give it a look.

4 out of 5

Kagemas: 1922 movie review

INTRODUCTION
Ho, ho, ho, merry Christmas. How I loathe this season. Idiots crowding the malls, poor people spending even more than they earn and kids acting like entitle little shits. Tis the season to be jolly, fa la la la, la la, la la. So what better way to start off Kagemas then with 1922, a Netflix “original” based on the Stephen King Novella, of which I have not read. If you love Miracle on 34th Street and other feel good family, well, you’re in for a treat, because this shit is the complete antithesis of it.

PLOT
Dude is poor with a family on a farm in 1922. Everything is fine, until plot twist, greed takes over. See, I told you this was a great choice to start off Kagemas, it is exactly what this season is about, greed, gluttony, fat ass spoiled children and annoying family members you want to kill, which incidentally, is exactly what the Punisher or Thomas Jane, if you want to get technical about it, does. Long story short, ghost, dying and rats about sum up this claptrap.

CHARACTERS
None of them are develop whatsoever. We basically go from happy family for 22 mins which leads directly to killing the wife. It is all downhill from here as his son takes a girl he likes with him and goes off ala Bonny and Clyde, both die. Thomas Jane loses a hand. The best developed characters are the rats.

STYLE
I like the cold tone it has throughout. It doesn’t look very cheap, even though it clearly was.

ACTING
Superb from all of them. Shit, too bad this movie was such fuckin rubbish and a waste of fuckin talent.

CONCLUSION
1922 is a horrible, unoriginal pile of dung, filled with shallow characters, lack of development, decent visuals and pretty great acting. Like an aging rock star, it is a shell of what it could have been, without the benefit of being a great once was.

1 out of 5 stars.

Kagegiving: Interview with the Vampire Book Review

INTRODUCTION
     Long before vampires sparkled, they brooded and could not shut up about it. I should probably point out, I was never an Anne Rice fan. I read Servant of the Bone, since she was recommended to me, because I liked Stephen King when I was a child and hated it. That was 20 years ago, so I decided, hey, why not give it another shot. Oh boy, was that the wrong way to think. This review is going to give a subjective opinion, but with an objective star rating.

SYNOPSIS
     Young, possibly gay or bisexual, introverted male, gets turned into a vampire by extroverted bisexual vampire, who then live a weird life of pedophilia together and bitch like a married couple, whilst nothing else of merit happens. Oh and a holocaust so easy to cause, that it would make Hitler blush.

CHARACTERS
     Let me start by saying that Anne Rice is very good at making her characters developed with very little. What would make other character’s shallow by other writers, she can get away with. So I’m very pleased that the characters are evenly built and seem like real people, when they are not just melodramatic and throwing tantrums. The main character is an analogy for herself, because homosexuality makes great subtext for your wishy-washy feelings about god. Lestat is a boyfriend, apparently similar to her husband and then there is the sexually abused girl.

DIALOGUE
     This is something I have often overlooked in reviews, mostly because it takes a hell of a lot of effort to write really bad dialogue, but I’m going to start including it here. Dialogue is mostly decent, given one or two weird spots. Not much to complain about.

PROSE
     You can tell Anne didn’t know if she wanted this to be third person or first person, so she settled for both, but wrote 99% of it in first person. The book is annoying in third person, with great lines such as “The vampire looked at the interviewer.” How the hell does anyone know he’s a vampire yet and if God is telling the story, why the fuck do we have to deal with a whiny emo bitch? Once she finally picks a fuckin’ narrative, business picks up. Spoiler alert, she picks first person, presumably because she realized what an “Interview” was and that it did not allow for third person, but I might be giving her too much credit here.

     She is descriptive enough to make the world seem plausible. She does not overdo it with too much description, but it isn’t lackluster either. That said, this woman doesn’t know what the fuck a chapter is, nor what a scene break is and the writing is dense as fuck. To be fair, by the end of this book, she finally got scene breaks right, but far too late as reading this is a nightmare.

     Other than those technical aspects, the only flaw would be the waxing philosophical about nonsense topics. Pseudo intellectualism has never been more fun with such shallow topics. Interview with the Vampire is like doing your Philosophical PhD thesis on the Insane Clown Posse, but instead of being laughed at and ejected by the college, people willingly paid you hard earned money to read your work. It wants to be literary and in some cases, it has merit, but like I said, it isn’t decent enough to be called such.

CONCLUSION
     While Anne is on record saying the main character is an analogy for herself, which always makes for horrible writing, at least I could understand why this was fresh in 1976. Up until that point, most vampires were vicious and here is one that is different from all the rest. The homosexual aspect was not needed. I’m on record as stating that vampires being dead, do not need a sexuality. I’m not saying you cannot see them as analogies to feeling like an oppressed minority, but straight up making them that way is dumb. One of the things that makes classics is the ability for multiple people to pick up different aspects of subtext, which could have worked to make this a classic like Dracula, but falls way short of that. Vampires are predators, first and foremost. Sexuality is a sirens call, at best and an easy way to trap prey. I noticed that Anne and others like pointing out the vampire’s fetid breath, normally to showcase dead people do not bush their teeth. Logic states that if vampires don’t eat or brush their teeth, they don’t have enough time to suck cock either, just saying. Regardless of that gripe, she at least cut out a lot of stupid shit, like garlic and crosses, so that was a plus. She was the progenitor of the near sparkling vampire though. Also, it could of removed the weird pedophilia shit as well. So is this book something to be thankful for? Nope, it is like giving a small pox blanket to a Native American.

     3 out of 5.